Tickets Movie Analysis Essay Example for Free

Tickets Movie Analysis Essay Starring: Blerta Cahani, Valeria Bruni Tedeschi, Silvana De Santis Sanije, Dedja Martin Compston, Gary Maitland, Carlo Delle Piane, Filippo Trojano, William Ruane Written by: Abbas Kiarostami, Ermanno Olmi, Paul Laverty Directed by:   Ken Loach, Ermanno Olmi, Abbas Kiarostami MPAA Rating: Unrated Language: English, Albanian, Italian, with English subtitles Running Time: 115 minutes Date: October 24, 2006 Introduction: The compilation films hardly ever work as a unified whole; the best to hope for is that one of the section will stand apart from others, as is the case with Life Lesson’s by Martin Scorsese from New York Stories and The Hand by Wong Kar-Wai from Eros. The new movie Tickets grips u well from the beginning till the very end mainly due to the fact that three different directors have worked together in flawless fashion combining one series into the next one. The whole movie takes place on a train. Ermanno Olmi (The tree of Wooden Clogs) an Italian director being with an upsetting story of an old Italian professor played by Carlo Delle Piane remembering a beautiful assistant played by Valeria Bruni Tedeschi who took care of him while being on a business trip. Sitting in first class dining car, he finally turns his sight towards more instant matters. The next story is told by Abbas Kiarostami who also directed the wind will carry us and Taste of Cherry. He tells a story of an ex soldier played by Filippo Trojano now fulfilling the whims of a bossy general’s widow played by Silvana De Santis. His displeasure mounts when he meets a couple of teenage girls from his hometown. Than it is the turn of Ken Loach who also directed Sweet Sixteen and My name is Joe. He tells the story of a trio of Glasgow Rangers football fanatics played by William Ruane, Gary Maitland and Martin Compston who are heading for a big game and on their way they meet a concerned Albanian family. Movie Review Tickets certainly has a number of examples in different cinema’s, movies which have brought together famous directors to make a single short story that is either is or isn’t linked to the central idea. The short movie format is infamous for its trickiness. A critical trend is associated with such films. One sequence tends to do better at the price of the other. The movie Tickets is in the same process with the story of Olmi being the worst where as Abbas’s story getting the most praise.   The strength of tickets is its remarkable stability of quality in all the three different parts and they in spite of the difference in the style and content show a unity of vision to the movie as the whole. The journey of the train proves to be a life affecting one for the characters. Their eyes are opened to the world surrounding them in way which proves to be a decisive action.   In the first story of Ermanno Olmi, a 60 year Pharmacologist recognized as The Professor cannot focus on the report he wants to write for a company he visited because of the intuition on him by a beautiful and kind P.R women who saw him off at the train station. As the train leaves the station, he recalls the moments between the two, gestures and looks whose implication could be taken more than a friendship. He starts to write a letter to the women to express his feelings in which he frequently stops to think. This story opens up in a seductively non linear fashion reflecting the memory of the professor of their meeting which than recalls a childhood memory in which a piano is played by a girl whose face he cannot see. The professors thought is occasionally interrupted by different stories which are taking place around him. Is the man actively conducted to music he is both listening and reading to a musician or just and excited music devotee? Why is the man sitting on the opposite side ripping stories out of the newspaper? Why are the soldiers and their commander on board? The commander sits opposite of the Professor whereas his men are standing in the corridor talking to a pretty young female of an Albanian family who cannot afford seats in the First class car. The attention of the professor diverts to the female. He shows an act of kindness which awakes him from his fantasy and from his memory and even from the ignorance of the world. He is not the only one to go such a change. The second story of Kiarostami reduces the tone with the introduction of some well portrayed character comedy as a woman makes her way through a train and grabs two seats one for herself and the other a young man whose name is Fillipo whom she continuously bullies like he is her son. She is woman with whom even a slightest disagreement would be a problem. One such unexpected result is the conflict over a mobile phone which surely prompts laughter. Fillipo meets a young girl from his home town which makes him to re think his own life decisions. This story is an examination of relationships and how status, duty and experience can shape personalities and lives. The true meaning of the woman’s journey whose exposure reveals the behavior of both her and Fillipo which leads to Fillipo’s decision which shows us the glimpse of weakness underneath her hard exterior. A few carts down are three young Scottish Celtic male supporters who are on their way to see a Champions League match. Many will quickly recognize that this is the story of Ken Loach and this story provides the significant jump in style as the language turns over to English. One of the issues here is communication but the ideas to the story are the themes of international solidarity and working class nobility very close to both Laverty and Loach. The lower class status of both the groups is decisive to the narrative. The three supermarket workers from Scotland whose employer has given a bag of sandwiches for their journey which their low income cannot afford and when one of the supporter lose their ticket, their problem increases. They cannot buy their way out with a credit car. They present the sandwiches as a gift when the trio starts a friendship with the Albanian family also mentioned in the first story. The friendship between the two groups soon is shattered when one of the Scot suspects the young son of the family to have stolen it. The recovery of the ticket is important as the owner may risk an arrest on his arrival in Rome. Their effort in recovering the stolen ticket and hearing the story of a family whose story of poverty surpasses theirs. They face them with an ethical problem motivated by the doubt that they may be being spun a well trained line. It is here that the significance of the title is most eagerly felt, where the ticket is more than just a means of traveling and becomes something that could actually change lives. The three different stories are associated by more than just the characters and the entire journey. They distribute thematic concerns of relationships, self awakening, social status and communication and explore these areas in different ways. The entire cast is brilliant throughout with actor Carlo Delle Piani playing the role of The Professor wonderfully assigning the thoughts of a man lost in the new and old memories. Gary Maitland, Martin Compston and William Ruane delightfully perform the role of the three Celtic Football Club supporters. The cast in Kiarostami piece is effectively striking with Filipo Trojano and Caroline Benvenga playing the girl whom he meets communication through their eyes. Through their eyes Filipo suggests a hidden sadness and gentleness where she suggests large and wide as an anime princess as they do with words. Conclusion If one compares the three different parts, the weakest tends to be of Olmi since it is far too inactive, inert and the object of liking of the main character is too weakly construed. The high point of the movie is Kiarostami story. A delightful and humorous observation of a lady who not willing to let go of a former soldier and self respect which is all of a sudden dissolved by the death of her husband who was an army general. She forces thing her own way and most of the time gets away from it. The story of Loach is typical of his style, an obvious heart for the working class and a bigger heart for the demoralized class. He ends the movie in a cheerful mood which is very good as Tickets is a magnificent celebration of the world’s three truest directors and putting their work in one movie is a joy to watch. Bibliography Tickets from Kamera. Retrieved on June 7th from http://www.kamera.co.uk/reviews_extra/tickets.php Tickets from Cine Boom. Retrieved on June 7th from http://translate.google.com/translate?hl=ensl=itu=http://www.cineboom.it/anteprime.php%3FID%3D20%26c%3D3sa=Xoi=translateresnum=10ct=resultprev=/search%3Fq%3DTickets%2Bby%2Babbas%2Bkiarostami,%2Bken%2Bloach,%2Bermanno%2Bolmi)%26hl%3Den%26sa%3DN